Spectres I Composing Listening reportage Contemporary Art and the Drive business Contemporary Art and the Drive to Waste Amanda Boetzkes brings a significant argument for the centrality of the visual culture of waste—as seen in works by international contemporary artists—to the study of our ecological condition more Arwed Messmer arbeitet seit zehn Jahren mit gebrauchsfotografischen Bilddokumenten aus Archiven der öffentlichen Hand a spirit of invention which sees musical composition more as a voyage into uncertain territories than as a self assured approach working safe within the bosom of fully mapped out and recognized lands the spirit of the exploration of unknown territories